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Stonewall’s Hollow Church

Wed, Apr 18, 2007

News

I must warn you that what follows is not a joke. Sadly, it is real. The front page of the December 2006 newsletter of the Lexington Presbyterian Church, where Stonewall Jackson was a member, contains this note from impostor-clergyman Bill Klein:

Mystic Meister Eckhart (1260-1327, German Dominican) wrote -

We are all meant to be mothers of God. For God is always needing to be born.

As you read this quote through a second time, keep in mind Eckhart was a mystic. The literal minded and hyper-orthodox tend toward bewilderment at his observations. But what Eckhart and others like him provide us is another window into God’s glorious kingdom which, because of Jesus’ advent, now overlaps the kingdoms of this world.

The fact that we need to give birth to God does not supplant Mary’s birth of our Christ. The birth of the Christ child was an historical event - an unrepeatable historical event. All the same, we become co-madre - that is, co-mothers with Mary as God’s Word is conceived within us and is born in the form of our thoughts, prayers, and actions.

It is never enough to consign Jesus’ birth to the past. Jesus must be born in us and from us in every new age…

God save us from the clergymen.

Otto Scott on the negrification of art and erosion of White civilization: "[T]here was an exhibit of African art in the early years of this century attended by Picasso and a number of other rising Parisian artists. To say that they were impressed is to understate. The strange distortions, the elongations, the dark, blood-scented images of ancient primitive idols carried with them an unmistakable sense of dread, mystery and power. These men, with Picasso in their lead, left the exhibition inspired. Bored in their youth with the culture that had spoiled them in childhood, they began to abandon the rules and forms of the art they had learned and turned toward the distortions they later made famous. Toward, in other words, primitivism - which was hailed as novelty, as newness personified; as an eruption of genius - and the next, logical stage in modern art. That Parisian movement paralleled one already in progress in Vienna and Berlin, where the art world had already followed the lead of German scholars whose archeology had led them into a fascination with the savage peoples they studied, and where scandalizing the bourgeoisie had become an artistic privilege - and pleasure. The shift of this fashion from the visual arts to music spread to serious musical composers who discarded the traditional rules of harmony, abandoned melody and deliberately adopted dissonance, retaining mainly drums. Literature took a bit longer to succumb… What is most remarkable, however, is that the toppling of traditional restraints has not resulted in more freedom, but in less in the areas once held to be essential to civilization. We have, for instance, lost our freedom of speech regarding the behavior and attitudes of minorities. This is a tremendous loss from which all other losses flow, because it permeates all areas of discussion and permissible observation. We are forbidden to notice that rudeness is now allowed some groups but denied to the majority. We are forbidden to respond when Christians are insulted, while being lectured on how to respect the tender sensibilities of non-Christians - in the name of tolerance(!). We have, in other words, taboos."

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